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How Keith Jarrett Turned Over The Rainbow into a Jazz Masterpiece: A Transcription Analysis


Keith Jarrett Over The Rainbow Transcription Pdf 15: A Masterpiece of Jazz Piano




If you are a jazz piano lover, you probably have heard of Keith Jarrett Over The Rainbow Transcription Pdf 15. It is a stunning transcription of a live solo performance by Keith Jarrett, one of the most influential and acclaimed jazz pianists of all time. In this article, we will explore what makes this transcription so special, how you can get it, and how you can learn from it.




Keith Jarrett Over The Rainbow Transcription Pdf 15


DOWNLOAD: https://www.google.com/url?q=https%3A%2F%2Furlcod.com%2F2ucHMb&sa=D&sntz=1&usg=AOvVaw1CL_Sm88OD5Hzepw6AqKxG



Introduction




What is Keith Jarrett Over The Rainbow Transcription Pdf 15 and why is it important? It is a detailed notation of every note that Jarrett played during his rendition of "Over The Rainbow", a classic song by Harold Arlen from the movie "The Wizard of Oz". The transcription was made by Friedrich Grossnick, a German pianist and musicologist who has transcribed many other works by Jarrett. The pdf file contains 3 pages of sheet music with accurate rhythms, chords, fingerings, articulations, and dynamics.


Why is this transcription important? Because it gives us a rare opportunity to study the musical genius of Keith Jarrett. Jarrett is known for his improvisational skills, his expressive touch, his harmonic creativity, and his emotional depth. He has recorded over 80 albums in various genres, from jazz to classical to world music. He has also performed solo concerts all over the world, creating spontaneous compositions on the spot. His "Over The Rainbow" performance was part of his solo concert in Tokyo in 1984, which was later released as an album called "La Scala".


How can you get Keith Jarrett Over The Rainbow Transcription Pdf 15 and what are the benefits of studying it? You can download it for free from Musescore.com, a website that hosts millions of sheet music files uploaded by users. You can also print it or view it on your device using the Musescore app. By studying this transcription, you can learn a lot about jazz piano playing, such as melody, harmony, improvisation, technique, expression, and emotion. You can also improve your own skills by practicing the transcription or using it as a source of inspiration for your own playing.


Analysis of the transcription




The melody and harmony




How does Jarrett interpret the original song by Harold Arlen? He plays the melody with some variations and embellishments, but he stays faithful to the original structure and form. He also adds an introduction and a coda to frame the song. The song is in the key of C major, but Jarrett modulates to other keys throughout the performance, such as F major, G major, Bb major, and Eb major. He also uses some chromatic passing chords and secondary dominants to create harmonic interest and movement.


How does he use chords, voicings, and substitutions to create interest and variety? He uses a wide range of chords, from simple triads to complex extensions and alterations. He also uses different voicings, such as rootless, open, closed, and drop voicings. He sometimes plays chords in both hands, sometimes in one hand, and sometimes in different octaves. He also uses substitutions, such as tritone substitutions, diminished substitutions, and modal interchange. For example, in measure 9, he substitutes the G7 chord with a Db7 chord, creating a tritone relationship. In measure 17, he substitutes the Fmaj7 chord with a Bbmaj7 chord, creating a modal interchange from C major to C minor.


How does he modulate to different keys and create tension and resolution? He uses various techniques to modulate smoothly and effectively. He sometimes uses pivot chords, which are chords that are common to both keys. For example, in measure 21, he uses the G7 chord as a pivot to modulate from C major to F major. He sometimes uses chromatic mediants, which are chords that are a third apart from the original key. For example, in measure 25, he uses the Abmaj7 chord as a chromatic mediant to modulate from F major to Eb major. He sometimes uses direct modulation, which is when he changes the key without any preparation or transition. For example, in measure 37, he changes the key from Eb major to D major directly. He also creates tension and resolution by using dominant chords that lead to the new key or back to the original key. For example, in measure 41, he uses the B7 chord to resolve to Emaj7, which is the relative major of C minor.


The improvisation and technique




How does Jarrett develop his ideas and motifs throughout the solo? He uses various methods to develop his ideas and motifs. He sometimes repeats them with slight variations or embellishments. For example, in measures 13-16, he repeats the same motif four times with different rhythms and notes. He sometimes sequences them up or down by intervals or scales. For example, in measures 29-32, he sequences the same motif up by whole steps. He sometimes contrasts them with different ideas or motifs. For example, in measures 33-36, he contrasts a descending chromatic motif with an ascending diatonic motif.


How does he use scales, modes, arpeggios, and chromaticism to create melodic lines? He uses a variety of scales, modes, arpeggios, and chromaticism to create melodic lines that fit the chords and the mood of the song. He sometimes uses diatonic scales and modes that match the key or chord of the moment. For example, in measure 5-6, he uses the C major scale over the Cmaj7 chord. He sometimes uses non-diatonic scales and modes that add color or tension to the chord or key. For example, in measure 18-19, he uses the C harmonic minor scale over the Bbmaj7 chord, creating a minor-major sound. He sometimes uses arpeggios to outline the chord tones or extensions. For example, in measure 23-24, he uses the G7b9 arpeggio over the G7b9 chord, emphasizing the b9 tension. He sometimes uses chromaticism to connect the notes or create passing tones. For example, in measure 27-28, he uses a chromatic descending line over the Fmaj7 chord, creating a smooth transition.


How does he incorporate rhythmic variations, syncopation, and swing feel? He uses various rhythmic variations, syncopation, and swing feel to create rhythmic interest and groove. He sometimes uses different note values, such as quarter notes, eighth notes, notes, triplets, and dotted notes. For example, in measure 10-11, he uses a mix of eighth notes and sixteenth notes to create a syncopated rhythm. He sometimes uses rests, ties, and slurs to create different accents and articulations. For example, in measure 14-15, he uses a rest and a tie to create a strong accent on the first beat of measure 15. He sometimes uses swing feel, which is when he plays the eighth notes with a long-short pattern instead of an even pattern. For example, in measure 20-21, he plays the eighth notes with a swing feel to create a more jazzy and relaxed sound.


The expression and emotion




How does Jarrett convey his musical personality and mood through his touch, dynamics, and phrasing? He uses a variety of touch, dynamics, and phrasing to convey his musical personality and mood. He sometimes uses a soft touch to create a gentle and delicate sound. For example, in measure 1-2, he plays the introduction with a soft touch to create a calm and soothing atmosphere. He sometimes uses a hard touch to create a loud and powerful sound. For example, in measure 42-43, he plays the climax of the solo with a hard touch to create a dramatic and intense effect. He sometimes uses different dynamics, such as piano, forte, crescendo, and diminuendo to create contrast and expression. For example, in measure 22-23, he plays a crescendo from piano to forte to create a build-up of tension. He sometimes uses different phrasing, such as legato, staccato, rubato, and accents to create variety and emotion. For example, in measure 26-27, he plays a legato phrase with rubato to create a smooth and expressive line.


How does he interact with the audience and create a spontaneous performance? He interacts with the audience and creates a spontaneous performance by using various elements of communication and improvisation. He sometimes talks to the audience or sings along with his playing to create a connection and intimacy. For example, at the beginning of the video, he says "Thank you" to the audience before starting to play. He sometimes laughs or makes noises with his mouth to express his joy or excitement. For example, at 2:50 of the video, he laughs after playing a surprising chord. He sometimes pauses or changes the tempo or mood of his playing to create suspense or surprise. For example, at 3:25 of the video, he pauses for a few seconds before playing the final chord. He sometimes plays something unexpected or unconventional to challenge himself or the audience. For example, at 3:40 of the video, he plays an ascending chromatic scale with both hands in octaves.


How does he use rubato, pauses, and silences to create contrast and drama? He uses rubato, pauses, and silences to create contrast and drama by breaking the regular flow of time and creating a sense of freedom and unpredictability. He sometimes uses rubato, which is when he speeds up or slows down the tempo according to his expression. For example, in measure 4-5, he uses rubato to slow down the tempo at the end of the phrase. He sometimes uses pauses, which are when he stops playing for a short period of time. For example, in measure 12, he uses a pause to create a gap between the melody and the harmony. He sometimes uses silences, which are when he stops playing for a long period of time. For example, in measure 44, he uses a silence to create a dramatic effect before ending the song.


Conclusion




In conclusion, Keith Jarrett Over The Rainbow Transcription Pdf 15


is a masterpiece of jazz piano that showcases Jarrett's musical genius and creativity. It is a beautiful interpretation of a classic song that combines melody, harmony, improvisation, technique, expression, and emotion. It is also a valuable resource for jazz piano students who want to learn from one of the best pianists in history. By studying this transcription, you can gain a deeper understanding of jazz piano playing and improve your own skills and style. You can also enjoy the music and appreciate the artistry of Keith Jarrett.


If you are interested in downloading Keith Jarrett Over The Rainbow Transcription Pdf 15, you can find it on Musescore.com for free. You can also watch the video of Jarrett's performance on YouTube or listen to the album "La Scala" on Spotify. You will not regret it!


FAQs




Here are some frequently asked questions about Keith Jarrett Over The Rainbow Transcription Pdf 15 and jazz piano in general:


- Q: What are some other famous transcriptions by Keith Jarrett? - A: Some other famous transcriptions by Keith Jarrett are "The Koln Concert", "My Song", "Autumn Leaves", "Someday My Prince Will Come", and "All The Things You Are". You can find some of them on KeithJarrett.org, a website that features many transcriptions and resources about Jarrett. - Q: What are some tips for learning jazz piano transcriptions? - A: Some tips for learning jazz piano transcriptions are: listen to the original recording and try to imitate the sound and feel of the pianist; analyze the transcription and identify the main elements, such as melody, harmony, improvisation, technique, expression, and emotion; practice the transcription slowly and gradually increase the speed; practice with a metronome or a backing track to improve your timing and groove; practice with different dynamics, articulations, and variations to add your own interpretation and personality. - Q: What are some other sources of jazz piano sheet music online? - A: Some other sources of jazz piano sheet music online are: Jazz Piano Transcriptions, a website that offers high-quality transcriptions of various jazz pianists for a fee; Learn Jazz Standards, a website that provides free lead sheets and chord charts of hundreds of jazz standards; iReal Pro, an app that generates realistic backing tracks and chord progressions for any song. - Q: What are some other jazz standards that Keith Jarrett has played or recorded? - A: Some other jazz standards that Keith Jarrett has played or recorded are: "Stella By Starlight", "Body And Soul", "Blue In Green", "Misty", "Round Midnight", and "What Is This Thing Called Love". You can find some of them on his albums, such as "Standards Vol. 1", "Standards Vol. 2", "Still Live", and "Whisper Not". - Q: What are some other jazz pianists that are influenced by or similar to Keith Jarrett? - A: Some other jazz pianists that are influenced by or similar to Keith Jarrett are: Brad Mehldau, Bill Evans, Herbie Hancock, Chick Corea, and Oscar Peterson. You can listen to their music and compare their styles and approaches to jazz piano. 71b2f0854b


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